I stumbled upon this book in the library where I work. It was on the bottom shelf, but the pink cover caught my eye. I immediately checked it out to myself and put it on my desk… where it sat untouched for a few days. I realized there was no way that I would be able to read 464 pages, so I used an audible credit and bought the audio book. I am so glad I did! Jayne Entwhistle is a favorite narrator. She, along with the other narrators, knocked this book out of the park!
Hazel’s sole focus in life is to attend a music conservatory. James’ focus is to come back from WWI. Aubrey’s desire to to make a name for himself in the world of jazz. Colette has no where else to be. As these four unsuspecting mortals go through their day-to-day activities, they never suspect that the gods and goddesses have a hand in those very activities.
This story is told from the perspective of Aphrodite, Apollo, Ares, and Hades. Each recounting their part in the love stories that unfold. Aphrodite, sitting in a hotel room in 1942, recounts a particular love-story she holds so dear. That love story begins in 1918.
This novel is detailed and the story so beautifully woven that I have a hard time not giving too many details away. Suffice it to say I was eager to find a student to check this book out! If you love a wonderfully written, slightly sad love story, then this book is for you!
Awesomeness:
-Hazel and Colette’s friendship is one to be admired.
-The writing style is delightful. The story is mostly told by Aphrodite but the males gods will speak throughout the novel as well. I have a whole new outlook on Hades.
-The historical notes section of the book is very detailed. For the audiobook, it was about 25 minutes and was read by the author. The research Julie did was outstanding!
Cautions:
-This is WWI and the race relations in the US are rough. There is a lot of negative attitudes and behaviors towards to African-American service men.
-This is a book set during two world wars. As you can imagine, the suffering and death rate is great. But nothing is written to an extreme or with excess graphics.